Art of the week: Phillemon Hlungwani

It’s the final week of the artist’s show at Everard Read Johannesburg. If you haven’t seen the wonderful charcoal and pastel pieces on display, head there right away.
October 29, 2024

Never pass on an opportunity to spend time with Phillemon Hlungwani. Five minutes in and this acclaimed artist and born raconteur will have you swept up in a story of his work (and by extension, life) that is as mesmerising as it is informative.

Discussing the huge number of pastel and charcoal pieces in his latest exhibition, Mitsheketo yale makaya (Stories from a place I call home), is no exception. “Just imagine walking with these women to church. Or sitting listening to this gent captivating the crowd,” he says, pointing to artworks laid out in front of us.

‘Hakunene vusiwana byi susiwa hi dyondzo (Indeed, poverty is eradicated by education),’ 2024. Charcoal and pastel on paper, 150cm x 224cm, R500,000. Image supplied
‘Hinkwaswo swi ta fika eka wena hi nkarhi lawu faneleke, lehisa mbil (All in good time, be patient),’ 2024. Charcoal and pastel on paper, 110cm x 150 cm, R345,000. Image Supplied

He is right. In an instant it’s a Sunday morning and there’s a chill in the air as the Limpopo sun starts to cast its rays over the long stretch of veld. Or it’s a scorching lunchtime and we’ve settled under a canopy of trees. Hlungwani’s art is that evocative. Through his skilled drawing he has brought an entire world and, more specifically, a community, to life.

The frozen glimpses of this sketched place are, no doubt, largely inspired by his birthplace of Thomo in Giyani. Hlungwani splits his time between Johannesburg and the Limpopo village, and rural life is pivotal to his existence and art.

‘Muchaviseki hwe ntsanwisi, va wurile vaku: mi ta sala mi ndzi tsundzuka 1 (You will remember me when I am gone 1),’ 2024. Charcoal and pastel on paper, 120cm x 150 cm, R365,000. Image supplied
‘N’wanuna wa vutlarhi u pfuka ni mixa a ya tirhela dyangu wa yena (A wise man gets up early to work for his family),’ 2024. Charcoal and pastel on paper, 75cm x 110 cm, R165,000. Image supplied

The works pulse with colour, pattern and humanity, and there is always something new to spot in his thoughtfully structured compositions. “Your eye must travel,” Hlungwani says of the way he hopes audiences will experience the works.

Through these images, he is also inviting the viewer to engage with ideas about a range of topics, including the critical role of women in this society, of the hardships of rural life, and of the joys too. In a way they are also a commentary on his personal success and the highs and lows of that.

‘Varhangeri va hina va mundzuku (Our future leaders),’ 2024. Charcoal and pastel on paper, 150cm x 224 cm, R500,000. Image supplied
‘Vanhu vo tlhariha a va vulavuli ngopfu: va tshama ehansi, va hlalela, va languta 1 (Wise people do not talk much, they sit back, watch and observe 1),’ 2024. Charcoal and pastel on paper, 149.5cm x 210.5cm, reserved. Image supplied

Ultimately though, Hlungwani sees this body of work and its message as overwhelmingly positive. Without missing a beat, he says: “Art is where I get my happiness. I can’t wait to touch the charcoal, to see the paper.”

Phillemon Hlungwani’s ‘Mitsheketo yale makaya (Stories from a place I call home)’ runs until November 2 at Everard Read Johannesburg.

Sarah Buitendach

With a sharp eye for design, Sarah has an unparalleled sense of shifting cultural, artistic and lifestyle sensibilities. As the former editor of Wanted magazine, founding editor of the Sunday Times Home Weekly, and many years in magazines, she is the heartbeat of Currency’s pleasure arm.

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